Much of my work is based on mathematical principles as a source for form, both artistically and conceptually. Geometric shapes and symmetry is the framework used to explore color and the ambiguities of visual and spatial perception. Through the use of recurring simple geometric figures, the illusion of movement and the interaction of color relationships, the patterns produced in my work explore the principles of repetition, symmetry, movement and visual perception.

 

In my work I am interested in ways of experiencing and depicting space: complex spaces, multiple spaces, paradoxical spaces. The goal is to embody the intricate, multiply connected, fluid, and subtly ordered spaces that we feel are part of our realities. Continually fascinated by repeating structures I create visually stimulating artworks based on filling space with infinite forms. The discovery of order in my artwork is created by symmetrical, repetitious arrangements that I use to form patterns.

 

“Symmetrical” in common usage generally suggests two meanings. In the context of my artwork, both of these meanings are interrelated and work in tandem. The first is a sense of harmonious or aesthetically pleasing proportion and balance, reflecting ideas of beauty or perfection. The second meaning is a precise, well-defined concept of patterned self-similarity that follows the rules of formal systems such as geometry, physics or otherwise. My attraction to this type of symmetry is in how repetitive patterns, created by simple forms, can lead to a larger visual composition of remarkable complexity.

 

Conceived as explorations of form, space, light and color, my paintings make use of a variety of mathematical principles, expressed not only in the obvious geometric shapes but also through the depictions of motion and metamorphosis. My pieces are ordered in such a way, as if the space created had a set of rules similar to the counter point of music. With little conscious effort the viewer is able to theatrically travel from one shape to another oscillating between figure/ground and creating various spatial experiences similar to the auditory experience of music. The formalized approach, developed by my geometric language is used to create abstract narratives conveying the visual beauty, harmony, rhythm and symmetry of mathematics, as well as a feel of sound. In the process of creating the paintings I explore its variations and morphological possibilities by adding or subtracting parts or elements, creating other shapes in a way similar to how a composer might develop or explore a musical theme.